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Glass

We live in times when we need heroes. Glass globalization demands that we build new emblematic figures to finish reaffirming their apparent economic effectiveness, the supposed guarantor of happiness. And in this task superhero comics have helped, which little by little have stopped being consumed by a few and have become, thanks to the cinema, a completely massive product.

Well, maybe not the comics, but the consumption of superheroes. It’s not all about making the Batman and Superman movie anymore, names like Captain Marvel or Guardians of the Galaxy are now in the popular domain, when before they were alien to the majority. Now we all know who Starfire, Rocket Racoon, Deadpool or (Green) Arrow is just by watching a movie or series. That’s not bad, the problem is that since Marvel and DC found the goose that lays the golden eggs they have not released it and we have seen, I think, the same movie for 11 years.

The famous and much cited “hero’s journey” has been reduced to its most simplistic form all this time. In other words, cinematic formulas continue to prove their effectiveness, even the most popular. Not that the formulas necessarily have to be broken, but we are already bored of seeing the same thing over and over again. This is precisely what M. Night Shyamalan has achieved throughout his career, he became a master of the twists and turns, surprises that change everything you thought of a story, and many times he achieves them effectively, although not all your films can be just as good, in fact, many of them can seem pretty bad to an unsuspecting audience.